Ever had that overwhelming feeling of social anxiety when the word 'networking' is muttered? Ever avoided walking up to a person and introducing yourself as a photographer or artist? Then struggled to remember what your work is, never mind coherently talk about it? If the answer to any of the above is 'yes', 'maybe' or 'please stop talking about networking', join us on the 13th July for our anti-networking event at Manchester Craft and Design Centre as part of Manifest Arts Festival.

Please join us for a four hour beginners workshop with Redeye Member Jeni Harney to learn the step by step proccess of how to make your own Cyanotype prints. Cyanotype is a photographic printing process that produces a cyan-blue print. The event is part of a Redeye series where members suggest and host events based on their skills or interests. Find out more about suggesting an event here or sign up for membership here.

Photographic artist and Redeye Member, Natalie Wardle returns to host an evening that includes presentations from other talented northern photographers Sade Mica and Lucie Crewdson whose work looks at the human form in visual art and performance.

Natalie Wardle is a visual artist and photographer from Manchester. Her work looks at how women construct their bodies to fit in with society’s ideal body types, exploring shapewear and tape that is placed over nipples to both cover and repress their form.

The work of Sade Mica explores her experiences navigating the world as a queer, black person and the nuances that brings in fleshing out an identity that is often met with contempt and confusion.

Lucie Crewdson is a photographer living and working in Manchester. Lucie's photographic practise revolves around everyday experiences, the use of the body, elements of performance and sits within a fashion and fine art context.

In our experience, everyone is going about their business, talking about the success stories of their career to apply for new work. And so they should. But isn't it freeing to hear about the things that haven't quite gone to plan? Isn't it encouraging to know most people have experienced projects that go totally wrong? Yes!. This is a session to learn from each other's different situations to prevent future issues for yourself.

Redeye's Critique Surgeries are aimed at photographers or artists looking for advice and feedback on their work or practice.
At this month's session, we welcome guest panellists Mario Popham, and Laura Deane in addition to Redeye Director Paul Herrmann.
 

Interested in large format film photography? Want to improve your ideas and technique? Come and hear from photographer Craig Easton, and if you like, bring along your work for group critique and feedback.

Craig Easton uses large format photography as part of Sixteen, a major new national touring project involving 16 photographers looking at the experience of 16-year-olds all around the UK. The project evolved from his earlier work The Scottish Referendum Project and aims to give a platform for young people from all walks of life to express their aspirations, hopes, dreams and fears for their futures.

Graduating can be a daunting prospect. Challenges can come thick and fast as you try to balance new work commitments with personal projects, moving home and losing the once-secure network of photographers and tutors you saw every day. Worried about what to do next? Then these sessions are for you!

Fourth Year is a series of informal support sessions for recent graduates and people about to graduate from photography courses to gain support for their practice.

Photo of Pete James by Brian Griffin

Join Redeye for the first in a new series of lectures that will honour the great champion of British photography Pete James, who died in March 2018. A regular lecture in partnership with The Royal Photographic Society, PARC (Photography and the Archive Research Centre), and FORMAT International Photography Festival & QUAD.

Rut Blees Luxemburg's technique is to take photographs at night, mostly exploring the urban landscape. Rut employs long exposures to allow her to use the light emanating from the street only, for instance from office blocks or street lights in her photos. Many of her photographs and prints deal with nocturnal themes.

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