Events

We regret to announce that after 26 years of supporting photographers and championing photography throughout the UK, Redeye, the Photography Network will wind down on 31 July 2024 due to a number of factors, including lack of funding. Read our full statement here. We are no longer publishing events. The archive of past events is available below.

April 2005 Redeye Public Meeting

6 April 2005, 00:00

This month's free public meeting takes place at 7.30pm on Wednesday 6th April. The venue is Richard Goodall Gallery, 59 Thomas St, Manchester. As mentioned, we plan to offer a complimentary glass of juice or wine, and we'll feature two bodies of work: one by Kim Clarkson, who is the next artist to have her work shown by the Fotografica collective. Kim's work involves notions of identity, personal space and their relationship with an environment. The work has a seductive mystery to it and is highly recommended.

Critique Sessions

3 April 2005, 00:00

Redeye's critique sessions are growing in popularity. Come and discuss your work, career issues, problems and possibilities with one of Redeye's regular portfolio viewers. They happen on the first Monday of most months (not January, August, or if there is a Bank Holiday, when they tend to be Tuesday). Bring your work either in print form, on a laptop, or by arrangement, on a CD. Book by email to Redeye or phone 0845 456 0260. Please also email in a paragraph about the kind of work you do and what stage you're at so we can match you with a viewer. These sessions are free of charge.

Free Public Meeting

6 July 2004, 00:00

The next public meeting takes place at 7.30pm on Tuesday, July 6th 2004 at The Richard Goodall Gallery, 59 Thomas St, Manchester M4. We'll have all the latest photographic news and the meeting will feature presentations from Michael Mackenzie and Karen Thwaites. Michael’s work explores the everyday spaces that are so often taken for granted - his photography
creates a space we’d forgotten was there – a space imbued with stillness and atmosphere. Karen’s work looks at a range of subjects, including our

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