Photographic artist Ingrid Pollard joins Redeye to talk about her life, work, and unique approach to photography.
Ingrid Pollard was born in Georgetown, Guyana in 1953 and moved to England when she was four years old. Since then she has lived in London working as a photographer, printer, media artist and researcher. She is a graduate of the London College of Printing and Derby University. In the 1980s she was part of a group of black British women artists who exhibited their work together in exhibitions like The Thin Black Line at the ICA in 1985. Pollard was also part of significant collaborative ventures between black British photographers, including Polareyes, D-Max and the Association of Black Photographers (now Autograph ABP), of which she was a founding member.
Pollard became interested in photography when she took her father’s box camera on a camping trip. Some of her first photographs were of the sewage works and wood yards along the Lee Valley Canal, taken as part of an O-Level geography project. Pollard defines her work as ‘a social practice concerned with representation, history and landscape with reference to race, difference and the materiality of lens based media.’ Her photographic series such as Pastoral Interlude (1988) and Self Evident (1995) depict black figures in rural landscape settings.
Who is it for?
This event is for anyone interested in photography. Join us for this special event looking at Ingrid’s background, projects, and perspectives.
Tuesday 29 January. This event runs from 6.30pm to 8pm, doors open at 6pm.
This event will take place in Lecture Theatre 1, Geoffrey Manton Building, MMU, Oxford Road, Manchester, M15 6BX.
The venue is fully accessible but for more information, click here.
Tickets cost £4 (Redeye Members), £6 (Concessions), £8 (Full Price)
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Image credit: Ingrid Pollard