Seamless Transitions is a new commission by London based artist, writer and technologist James Bridle. His work engages with the invisible yet pervasive technologies that we encounter every day. Utilising a variety of platforms from software to social media, photography and installations, Bridle explores how technology both affects culture and reproduces and shapes political power.

Primrose showcases the appearance and development of colour in Russian photography from the 1860s to the 1970s. It presents both the history of Russian photography and the history of Russia in photography, depicting life over the course of a century, as the country endured unprecedented upheaval.

The exhibition is arranged in chronological order and shows the development of photographic colour technology and the social transformations which altered the role of photography in Russian society.

William S. Burroughs (1914-1997) was one of the most influential American writers of the 20th century. Despite his prolific achievements as a novelist, essayist, spoken word performer and painter, Burroughs’ work as a photographer is rarely acknowledged.

Coinciding with the centenary of Burroughs’ birth, Taking Shots will be the first exhibition worldwide to focus on Burroughs’ vast photographic oeuvre and offers new and important insights into his artistic and creative processes.

"I love industry. Pipes. I love fluid and smoke. I love man-made things. I like to see people hard at work, and I like to see sludge and man-made waste." David Lynch

Anyone familiar with David Lynch’s enigmatic visual language will identify similarities between this series of photographs and his iconic films.

Featuring black and white interiors and exteriors of industrial structures, the exhibition exudes the unique cinematic style of Lynch (b. 1946, USA) through dark and brooding images.