Seamless Transitions is a new commission by London based artist, writer and technologist James Bridle. His work engages with the invisible yet pervasive technologies that we encounter every day. Utilising a variety of platforms from software to social media, photography and installations, Bridle explores how technology both affects culture and reproduces and shapes political power.

In 2013 Bridle began collating witness accounts, planning applications and open source information as investigative means into the immigration and detention system. Working in collaboration with leading architectural visualisation company Picture Plane, 3D tours of three key sites have been created: Harmondsworth Immigration Removal Centre at Heathrow; the Special Immigration Appeals Commission in the City of London, whose design is informed by the need to present evidence in secret; and the Inflite Jet Centre at Stansted Airport, a private terminal used after hours by the Home Office to deport rejected migrants.

Through this project, Bridle aims to shed light on the legal procedures and physical architecture of immigration and detention facilities, while provoking debates about nationality and citizenship at a point where these have become defining issues of our time.

Redeye, Centre for Chinese Contemporary Art, Market Buildings, Thomas St, Manchester M4 1EU, UK
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