Redeye’s director Paul Herrmann writes about the significance of business models for photographers and artists.
Every so often we survey and interview working photographers to find out how they are doing - to see if they have got enough fulfilling work and a reasonable income. There’s consistently a small minority who say that things are going very well. This was true even through the depths of the recession.
What are they doing that is different to the majority who say that things are difficult? What do they all have in common?
