We regret to announce that after 26 years of supporting photographers and championing photography throughout the UK, Redeye, the Photography Network will wind down on 31 July 2024 due to a number of factors, including lack of funding. Read our full statement here. We are no listing exhibitions. The archive of past exhibitions is available below.
Raqs Media Collective are three Delhi-based artists – Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta – whose practice includes photography, new media, film, media theory and curation.
This exhibition features two works. An Afternoon Unregistered on the Richter Scale (2011) is a silent looped video projection that transforms an archival photograph taken in Calcutta in 1911 through a series of subtle alterations. More →
What does 1984 look like? Is Big Brother watching you on CCTV? Documentary photographer David Dunnico asks you these questions in this two-part exhibition.
For a number of years, Dunnico has documented the rise of CCTV surveillance in a series of graphic black and white images, looking at those who operate it, sell it and oppose it. Alongside this, he has also built up a collection of editions and ephemera about George Orwell's 1984 – the book’s changing covers tell how every new generation of readers finds Orwell's work frighteningly relevant to their own times. More →
Voices of the South Atlantic examines issues of war and its consequences. Rooted in the 1982 Falklands/Malvinas War, it includes the voices of people who fought on both sides, as well as civilians who were directly affected by it.
The premise of this work is that fear and loss are universal and that pain and trauma affect both the losers and the winners. More →
Five female photographers divulge personal stories in this exhibition, engaging visitors through these public displays of their highly sensitive work.
Exhibiting artists include Léonie Hampton, Celine Marchbank, Natasha Carauna, Briony Campbell and Laura Hynd, each of whom have developed inward-looking, personally reflective projects that have consequently been disseminated in the public sphere. More →
Edgar Martins was commissioned by The New York Times Magazine to explore the United States’ subprime mortgage industry collapse and its impact on the real estate market.
In a study that goes beyond pure formal investigation and factual documentation, Martins, a photographic artist, decided to tackle the project from the outset and to use it to explore new models for conceptualizing a hotly contemporary phenomenon and landscape, outside of the photojournalistic canon. More →
This spring, New York artist Zoe Leonard (b. 1961) will transform Gallery 3 at Camden Arts Centre into a ‘camera obscura’.
Daylight will filter in through a lens projecting an image of the world outside onto the floor, walls and ceiling, creating a spatially immersive experience. Alongside this, Gallery 1 will be filled with a new series of photographs depicting the sun together with a sculptural installation of found images in Gallery 2. More →
An exhibition of work by the photography graduates at Stockport College, using the still and moving image to explore a range of themes, including the medium itself, which is in state of dynamic flux.
In collaboration with Manchester Museum, a number of students have used the Ancient Egyptian and Archaeology collection as a starting point for personal response, some of which depart radically from their inspiration. More →
Final year students at Staffordshire University are showcasing a new and exciting photographic exhibition INVISO (IN-VEE-SO), at both Staffordshire University and at Cube in Manchester. The exhibition will be the culmination of three years of study and features a diverse range of student work while at University. Presenting imagery from thirty-one graduates all with different ideas and viewpoints about photography. More →
