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France. Normandy. June 6th, 1944. Landing of the American troops on Omaha Beach

France. Normandy. June 6th, 1944. Landing of the American troops on Omaha Beach © Robert Capa/Magnum Photos at Chris Beetles Gallery. See Exhibitions for further details including the story behind this photograph.

Redeye Programme

Talk

Joachim Schmid talk

17 May 2012, Manchester
We are very sorry to say that this event has been cancelled due to the speaker being taken ill. If you already bought a ticket there is no need to do anything; you will be refunded automatically.
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What's On

Exhibitions

Copyright Dan Holdsworth, Yosemite C-6, 2012, Courtesy Brancolini Grimaldi

Transmission: New Remote Earth Views

23 March 2012 - 19 May 2012
In this exhibition, Holdsworth appropriates topographical data to document the ideologically and politically loaded spaces of the American West in an entirely new way.
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Installation shot, Bischoff/Weiss

Erica Baum, Sara MacKillop

28 March 2012 - 19 May 2012
This two-person exhibition at BISCHOFF/WEISS compares Sara MacKillop and Erica Baum’s individual processes of selecting, collecting and editing and highlights the ways in which these processes separate the formal attributes of objects from their use or meaning.
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France. Normandy. June 6th, 1944. Landing of the American troops on Omaha Beach

Magnum – 62

24 April 2012 - 19 May 2012
Chris Beetles Fine Photographs present an exhibition featuring a single photograph by each of the agency’s 62 Member photographers.
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Events

World Photo London

27 April 2012, 10:00 - 20 May 2012, 10:00
Join the WPO at World Photo London - programme details have now been launched.
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Camping, Robert Norbury

Long Distance Information Photography Workshop

14 May 2012, 12:00 - 17 May 2012, 16:00
Photographer Robert Norbury is organising a mobile photography workshop in the Pennines.
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Socially-Engaged Practices Today - Symposium

18 May 2012, 10:00 - 20:00
The North East Photography Network symposium seeks to explore some of the photographic and artistic strategies developed by current practitioners in varied contexts of social engagement, collaboration and participation.
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News & Opportunities

OpportunityFormat Festival seeks co-ordinator

FORMAT International Photography Festival is recruiting a co-ordinator. This is a unique opportunity to be part of a successful team delivering a leading International Photography Festival.

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NewsL'Iris d'Or and Kraszna-Krausz winners announced

American photographer Mitch Dobrowner has been announced as this year’s winner of L’Iris d’Or - the 2012 Sony World Photography Awards Photographer of the Year.

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OpportunityPhotoworks seeks co-ordinator

OpportunityFoto8 Summershow

OpportunityNorth East Photography Network commission in partnership with Berwick Film & Media Arts Festival

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Welcome to Redeye

Follow up on The 2012 National Photography Symposium via the NPS blog.

Click here for further details about our new membership programme, offering additional support and opportunities for serious photographers, including discounts and opportunities. You can still log in with your existing username and password for additional features on the site, or subscribe if you haven’t already.

Our forums, advice and links sections will launch soon. If you have any comments please send feedback.

Opinion

Prepare for the Future: Collecting Contemporary Art

Posted on 4 March 2012

Guest opinion:
Stephen Snoddy, director of New Art Gallery, Walsall, argues that regional museums and public galleries must put more resources into building their collections of contemporary art and photography.

Directors in regional museums in Britain need to place the buying of contemporary art at the top of their institutions' agenda. It is as simple and important as that.

Research has shown that a great deal of people in this country would like to buy contemporary art. The public sector has a role to play in developing the kind of self-confidence needed to purchase contemporary art. It is also vital that artists have a growing and dynamic economy to be able to fund and develop their work. And we need collections that are alive and breathing.

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More Opinions

Posted on 3 January 2012

Winning new clients in 2012

Posted on 1 November 2011

How British Photography Found Its Voice

Posted on 24 October 2011

The Responsibilities of Photographers

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